I want to do a post on "Loot from the Costume College Trip," which will include not only what I got in the garment district, but also from the Marketplace and various other excursion during my time with
fancyfrocks. But I wanted to get to this!
First, I do need to show this white/cream wool flannel.

It's good quality, fairly soft, and lighter weight than B. Black & Sons standard flannel. Best part? It was $5/yd!

I'm not sure yet what I'll do with it; I think I ended up with about 3.5 yards. I could make a quilted petticoat, but I already have a red flannel petticoat (embroidered, not quilted) that's a bit lightweight but I still really like. This would certainly be perfect for an 1860s "underbody" - think a corset cover, except made of flannel for warmth. And it might have sleeves. I can't remember. I could also do a flannel chemise and drawers, but I want to research that a wee bit more and also ask for advice. Canton flannel is the other period option for warm underclothing.
Here's the real impulse buy of the garment district - pink linen! I fell in love with the color and just had to have it, thinking nothing more specific than "something 18th century" in mind.

I had a brief panic attack when I started to look for ideas, since I read that linens and wools were really only available in blues/greens/browns etc. because of dyeing difficulties, and Nicole's color posts didn't reference any but silk in pink. But I'm slightly less freaked out now, and encouraged especially by George Stubbs's The Reapers.

See? Pink dress! Pale pink, but still.
But now there's a new concern.
When I washed the linen, it shed an enormous anount of lint in the dryer. That didn't completely surprise me; I was actually glad to see it, assuming that the loose stuff was gone and the weave nice and tight. But when I ironed it, it was absolutely covered in pink fiber pills. Eventually I used my lint roller and went through probably half a dozen sheets just on a quarter of the surface of the fabric. I've never had any fabric behave like that. I thought it was good quality and would hold up to an 18th century style, especially with good quality lining. But now all bets are off. :(
So what do I do with it? I still really, really want to do something historical. It would break my heart to chop up a good length of 6 yards to make one invisible petticoat and leave the rest to languish. The same objection goes for a Regency gown. And really, it's not fine enough for a good Regency gown. It's definitely not appropriate for 1860s. Or should I go way far back and try for "something medieval"? Flemish, maybe? Or
koshka_the_cat's Holbein?
I just want something that will be both pretty and a good use of the fabric.
First, I do need to show this white/cream wool flannel.

It's good quality, fairly soft, and lighter weight than B. Black & Sons standard flannel. Best part? It was $5/yd!

I'm not sure yet what I'll do with it; I think I ended up with about 3.5 yards. I could make a quilted petticoat, but I already have a red flannel petticoat (embroidered, not quilted) that's a bit lightweight but I still really like. This would certainly be perfect for an 1860s "underbody" - think a corset cover, except made of flannel for warmth. And it might have sleeves. I can't remember. I could also do a flannel chemise and drawers, but I want to research that a wee bit more and also ask for advice. Canton flannel is the other period option for warm underclothing.
Here's the real impulse buy of the garment district - pink linen! I fell in love with the color and just had to have it, thinking nothing more specific than "something 18th century" in mind.

I had a brief panic attack when I started to look for ideas, since I read that linens and wools were really only available in blues/greens/browns etc. because of dyeing difficulties, and Nicole's color posts didn't reference any but silk in pink. But I'm slightly less freaked out now, and encouraged especially by George Stubbs's The Reapers.
See? Pink dress! Pale pink, but still.
But now there's a new concern.
When I washed the linen, it shed an enormous anount of lint in the dryer. That didn't completely surprise me; I was actually glad to see it, assuming that the loose stuff was gone and the weave nice and tight. But when I ironed it, it was absolutely covered in pink fiber pills. Eventually I used my lint roller and went through probably half a dozen sheets just on a quarter of the surface of the fabric. I've never had any fabric behave like that. I thought it was good quality and would hold up to an 18th century style, especially with good quality lining. But now all bets are off. :(
So what do I do with it? I still really, really want to do something historical. It would break my heart to chop up a good length of 6 yards to make one invisible petticoat and leave the rest to languish. The same objection goes for a Regency gown. And really, it's not fine enough for a good Regency gown. It's definitely not appropriate for 1860s. Or should I go way far back and try for "something medieval"? Flemish, maybe? Or
I just want something that will be both pretty and a good use of the fabric.
no subject
Date: 2011-08-22 10:57 pm (UTC)no subject
Date: 2011-08-22 11:03 pm (UTC)no subject
Date: 2011-08-22 11:07 pm (UTC)It's such a pretty colour, too. I hope that you'll still be able to use it.
no subject
Date: 2011-08-23 02:59 am (UTC)I'd thought of washing a small piece; I just hate to cut into it!
no subject
Date: 2011-08-23 12:29 am (UTC)(Also, did you get to download those zips?)
no subject
Date: 2011-08-23 02:58 am (UTC)(And no, but I am trying to now.)
no subject
Date: 2011-08-23 03:03 am (UTC)no subject
Date: 2011-08-23 05:54 pm (UTC)no subject
Date: 2011-08-23 11:27 pm (UTC)The vocal version of "Brothers" is in Russian or something. I don't care for it so much myself. I dearly LOVE the instrumental version, though.
no subject
Date: 2011-08-23 05:06 am (UTC)So, what I would do is lint roll as you iron, make your dress, and then . . . never wash it again! Spot cleaning -- the period way.
since I read that linens and wools were really only available in blues/greens/browns etc. because of dyeing difficulties
Quoi? Madder gives great reds and pinks on wool! Also oranges, but that's generally a sign you messed something up. That's definitely a dyestuff that's been in use throughout history. You can get screaming bright pink with safflower on linen and cotton (http://www.reconstructinghistory.com/blog/dyeing-with-safflower), but I'm not sure about the usage of that in the 18th century. There's also the entire British army with their red wool jackets, so don't feel limited to "dirt" colors on wool.
Linen in general is fairly difficult to dye using natural dyestuffs and the colors aren't very fast, but wool you can easily dye pretty much any color under the sun except true black.
no subject
Date: 2011-08-23 05:13 am (UTC)no subject
Date: 2011-08-23 06:03 pm (UTC)And it did have (and honestly still does) a very smooth finish. I wonder if it was polished? Or maybe using really short fibers instead of rougher, longer ones to help give a more even appearance.
I'm totally fine with never washing. Mostly I'm worried about sweat stink! No chemise will keep the underarms of this dry. Any recommendations?
I wondered about madder myself! But WHOOPS, the original source didn't say wool. My mistake. SO sorry.
I guess I'm just afraid of the remote contingency that someone's going to give me the hairy eyeball, all "that's way too bright, you pathetic pretty princess wannabe who tramples authenticity!" The picture above is fairly close in tint, but if anything a bit bright thanks to flash. It's a rich tone, not bright.
no subject
Date: 2011-08-23 08:46 pm (UTC)There's also a set of stays at the V&A that has scalloped leather patches at the underarms (http://collections.vam.ac.uk/item/O115752/stays/), which I assume has something to do with protecting it from sweat and wear. Maybe you could try removable dress protectors in the underarms?
I guess I'm just afraid of the remote contingency that someone's going to give me the hairy eyeball, all "that's way too bright, you pathetic pretty princess wannabe who tramples authenticity!" The picture above is fairly close in tint, but if anything a bit bright thanks to flash. It's a rich tone, not bright.
Oh dear! My take on this is once you get to the point where you are wearing a natural fiber in a color that can be achieved with natural dyes -- and dyers in the past were experts in achieving a wide variety of colors, even really bright ones -- you are so far ahead of most people that the only way you can farther is by dyeing your own using natural dyes. And since dyers in the 18th century had access to both cochineal and safflower, bright pinks on vegetable fibers were totally available to them. There are a couple other exotic woods that give really bright colors, too, but I can't remember if they're pink or purple.
no subject
Date: 2011-08-23 10:17 pm (UTC)I LIKE your take on it. Now I feel all better. :D
no subject
Date: 2011-08-23 10:31 pm (UTC)Yay! :D My other take on it is if someone gives you grief for your fabric choices and you have documentation, give them your e-mail address and if they really want to talk about it, they can e-mail you after the event. Chances are, you'll never hear from them.
no subject
Date: 2011-08-23 07:04 pm (UTC)When I wash linen it's the same- a whole fist full of fuzz. Ditto washing once, the more you machine wash the more it breaks down the fibres, but I'm guessing you already know that.
I still say 18th century! It would be so pretty!
no subject
Date: 2011-08-23 10:18 pm (UTC)I guess I do, but I've actually worked with linen, and rewashed it, little enough to think about the lint effect. And I've *never* had fuzzballs like that, so I guess it really unnerved me. I doubt I'll be motivated to wash it anyway. Thanks for the reminder! And yes, I think it'll be super pretty, too. :)